Social Ostracisation Within Frankenstein Essay examples

Social Ostracisation Within Frankenstein One of the powerful images conjured up by the words ‘gothic novel’ is that of a shadowy form rising from a mysterious place, Frankenstein’s monster rising from a laboratory table, Dracula creeping from his coffin, or, more generally, the slow opening of a crypt to reveal a dark and obscure figure, which all share in common the concept of Social Ostracisation both to the creator and creature. Gothic writing can be dated back for centuries, Shelly immediately comes to mind with Frankenstein as well as The Monk by Matthew Gregory Lewis and Dracula by Bram Stoker all can be associated with Social Ostracisation. The concept of alienating one to refuge, dismissal, and pain are all themes in these†¦show more content†¦She grew up surrounded by radical often revolutionary people during the time of the Napoleonic Wars, a time of frequent political and civil unrest and accelerating change in society. Although based in independence and spent significant formative ti me away in Scotland with family friends where she explored her personal freedom, freedom to develop a view of herself as the creative, wilful heroine. Shelly was influenced by many due to her parent’s social status, especially her mother. Mary Wollstonecraft was a particular powerful influence, strong opinionated feminist. Her father William Godwin also had a profound bearing on Shelly’s life and thought, as did Percy Shelly, her lover, then husband. Lord Byron, who prompted the preliminary writing of the story, could also be added to the list. Social Ostracisation is the process of alienating one of all aspects to life, love, society, comfort and security and replacing them with hate, pain and suffering. The monster is particularly used as an example of this The Creature becomes the Monster when it is deprive d of any human sympathy and socialShow MoreRelatedSocial Ostracisation Within Frankenstein1670 Words   |  7 Pagesand comments on society examine this claim in relation to ‘Social Ostracisation’ One of the powerful images conjured up by the words ‘gothic novel’ is that of a shadowy form rising from a mysterious place, Frankenstein’s monster rising from a laboratory table, Dracula creeping from his coffin, or, more generally, the slow opening of a crypt to reveal a dark and obscure figure, which all share in common the concept of Social Ostracisation both to the creator and creature. Gothic writing can be dated